Prior 1996, industry growth in gospel music industry was estimated
at $381 million in 1995.
From 1996 to 1997 the gospel music industry in America experienced a
41% growth compared to 1994 and 1995 when other music industry sectors such as Rock
and Pop were experiencing periods of no growth and low sales with the closing
of many music divisions across the industry while at the same time the gospel
sector generated over half billion dollars in revenue which prompted the big
six major records companies at the time to purchase several gospel labels for
bigger market shares and revenue.
One of first major black solo artist to experience gold certification during the phenomenal growth of 1996 to 1997 was Donnie McClurkin with his self -title studio album “Donnie McClurkin”.
One of first major black solo artist to experience gold certification during the phenomenal growth of 1996 to 1997 was Donnie McClurkin with his self -title studio album “Donnie McClurkin”.
To understand
the tremendous growth level witnessed by the gospel music sector need to a look
how record executives were using industry professionals from the urban market
to promote gospel recording projects and to expand their customer base(mainly
church goers) into secular market. Also labels were spending more money on
marketing and promotion. Many albums from black and white artists were
beginning to sale over 400,000 units on average.
gold in 1996 for over half million units
sold in America according RIAA.
Hardliners such as Dottie
Peoples and Canton Spirituals averaged about 100,we take a look
at Sparrow Communication Group a division of EMI Christian Music Group having
six albums from artists on it roster to achieved gold certifications. These
are: Carman’s “R.I.O.T”; Andy Griffith’s “I Love to Tell the Story” and
“Precious Memories”; BeBe and CeCe Winans’s “Relationships”; “Amazing Grace: A
Country Salute To Gospel” and finally “WOW 1996”. This was the most any
Christian music company has received in one year!
Kirk Franklin’s
album “Kirk Franklin and The Family”
became the second live gospel album since Aretha Franklin’s
“Amazing Grace” album to go platinum according to
RIAA (Record Industry Association of America).
became the second live gospel album since Aretha Franklin’s
“Amazing Grace” album to go platinum according to
RIAA (Record Industry Association of America).
Another label to
experience phenomenal growth was Gospo Centric a black owned label based on the
West Coast with the album entitled “Whatcha Lookin’ 4” recorded by Kirk
Franklin and The Family that actually went to number one on the Top
Contemporary Christian chart for week ending 1st February 1997 for
two solid weeks (total of 38 weeks on chart). Kirk Franklin and The Family was
the only black recording act at that time to have two gold albums certifications
on the charts at the same time in one year in from 1996 to 1997. The Gospo
Centric label was voted as the number one top gospel label and distributing
label in America.
“Whatcha
Lookin’ 4” album, recorded by
the Kirk Franklin and The Family
was number one for over 19 weeks on the
Top Billboard Gospel Albums chart
listings in The album became their
second platinum certified according to RIAA.
the Kirk Franklin and The Family
was number one for over 19 weeks on the
Top Billboard Gospel Albums chart
listings in The album became their
second platinum certified according to RIAA.
At the same time
EMI Christian Music Group was celebrating the successes of Bill Gaither’s
projects: Bill Gaither & Homecoming Friends; videos series, which achieved
gold, platinum and multi-platinum status for 19 titles in excess of three and
half million units sold, while “The Preacher’s Wife” (Arista 18951) soundtrack
at was number one on Billboard R&B chart for 20 weeks, week ending 26th
April 1997.
Written,researched and compiled
by Kevin Tomlin Music Historian
by Kevin Tomlin Music Historian
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