Marvin Gaye’s Landmark Studio Album Pt.2

Van De Pitte conducted a
 recording session

Picture of Van De Pitte conducting a recording with the late Bob Babbitt playing guitar at the session.

He was an American music arranger and bass player. He was staff member of Motown Records  during the 1960s and early 1970s, and is best known for his work at Motown Records especially his tremendous contribution to the “What’s Going On” as the main arranger. During the 1970s, Van De Pitte also did arrangements for the number one on the Cash Box Pop Singles Chart week-ending 14^th November 1970 (1 week) performed and produced by Dean Taylor which was called “Indiana Wants Me.” Another classic track was “If I Were Your Woman” performed by  Gladys Knight & the Pips that also made it to number one week-ending 23^rd January 1971.

 

Norman Whitfield Musical Legacy Lives On Pt.2

Whilst at Motown, in addition to his success with the Temptations, Norman produced gold singles and albums for Rare Earth, a white rock band. “I Heard It Through the Grapevine”, in the version performed by the late Marvin Gaye, was also inducted into the Grammy Hall of Fame for "historical, artistic and significant" value. In 1986, two years after Gaye's death, the song was re-released in the UK and peaked at number eight on the UK official Pop Singles Chart, thanks to a Levi's commercial. The song also charted successfully in Germany, peaking at number five on the chart. The song also achieved chart success twice on the Irish Singles Chart, reaching number seven on its initial release in 1969 and peaking at number four on its 1986 re-release.

Marvin Gaye's version of “I Heard It Through The Grapevine” has since become a landmark in Pop music. In 2004, it ranked at number 80 on Rolling Stone's list of The 500 Greatest Songs of All Time.

On the commemorative 50th Anniversary of the Billboard Hot 100 issue of Billboard magazine in June 2008, Marvin Gaye's version was ranked as the 65th biggest song on the chart. It was also inducted to the Grammy Hall of Fame for "historical, artistic and significant" value.

Before Norman left the Motown organisation, he received several Grammy Awards. "Cloud Nine" won Motown Records its first Grammy Award in1969. He received a second Grammy award for “Papa Was A Rollin’ Stone" for Best R&B Performance by a Duo or Group and he finally received Grammy awards for the instrumental B-side to “Papa Was A Rollin’ Stone" with the legendary Motown strings arranger Paul Riser for Best R&B Instrumental Performance and a joint award with co- writer Barrett Strong for Best R&B Song “Psychedelic Soul” the same year at the Grammy Ceremony.

 The legendary Motown strings arranger Paul Riser received a Grammy with Norman for Best R&B Instrumental Performance and joint award with co-writer Barrett Strong for Best R&B Song “Psychedelic Soul” the same year at the Grammy Ceremony.


"Car Wash" soundtrack

After his departure from Motown Records he went on to have tremendous success with a film sound track called “Car Wash” which was his first major project after leaving Motown Records. The album and single were certified gold and platinum by the RIAA (Record Industry Association of America). The single went on to achieve number one both on the Billboard Pop and R&B single chart listings, whilst the album went to number 14 on the Billboard Pop album chart listings. The soundtrack won a Grammy award in 1977 for Album of Best Original Score Written for a Motion Picture or Television Special at the 19^th Grammy Award Ceremony. The film cost less than $2 million to make and generated over $20 million at the box office. By the end of the 1970s, it is interesting to note that black soundtracks and films generated over $100 million in estimated
revenue, marketed mainly to black audiences.  

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The Year Was 1965: Significant Events in Motown’s History Pt.1

"My Girl" was the group first  number one
on the Billboard 100 Singles Chart  in 1965.

In 1965 Motown Records had five number one singles on the Billboard Hot 100 Singles Chart. Four of those singles were produced by Holland-Dozer and Holland. The Temptations’ “My Girl” on the Gordy label1965 would become another successful year for Motown with the Temptations’ “My Girl” starting the year in style almost a year after Mary Well’s “My Guy” had reached number one. The song “My Girl” was produced by Smokey Robinson and co-written by his long-term song writing partner Ronald White. The song features the powerful vocals of the late David Ruffin on lead. It went to number one on the Billboard Hot 100 Singles Chart week-ending 6^th March 1965 (1 week). The classic hit track also went to number one on the re-activated Hot Rhythm and Blues Singles Chart week-ending 6^th January 1965 (6 weeks). The single also achieved the number two position on the UK Official Pop Singles Chart in 1965.

A live performance of
Jr. Walker and  the All Stars in concert.

Jr. Walker and the All Stars had the first number one of their career called "Shotgun" immediately after dethroning the Temptations on the Billboard Hot Rhythm and Blues Singles Chart week-ending 11^th March 1965 (4 weeks). This was first time that Lawrence Horn received credit for his involvement in producing an act on the label. Berry Gordy Jr. co-produced the track. The session musicians on the track were James Jamerson Jr. on bass, with two guitarists Joe Messina and Eddie Willis, and finally Benny Benjamin on drums gave the track that special touch that sent it to the top of the charts.

In the month of May Smokey Robinson produced his magic formula again with Marvin Gaye, as the latter stepped out of his studio drumming role and turned to singing as the label’s leading up-and-coming male vocalist. Robinson also found time to compose the song “I’ll Be Doggone” with guitarist Marv Tarplin and Pete Moore, founding members of The Miracles, whilst on tour. Marvin Gaye was an emerging genius who co-wrote his first three hit records, “Stubborn Kind of Fellow”, “Hitch Hike” and “Pride and Joy”. He was one of the first artists at Motown to do so. Gaye became brilliant at interpreting other song-writers’ material, improvising and improving on the original song and making it his own in the process. “I’ll Be Doggone” was certainly one of those songs. It topped the Billboard Hot Rhythm and Blues Singles Chart week-ending 22^nd May 1965 (1 week). Each member of The Funk Brothers added their own momentum and richness to the song’s groove helping to send the song to the top! 

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The Year Was 1968: Significant Events in Motown’s History

Marvin Gaye and Tammi Terrell
were Motown Record's 
most successful duo.

1968 was the year that Marvin Gaye cracked the winning formula with Tammi Terrell, with the creative assistance of Ashford and Simpson, who became both their song writers and music producers for their next two number one singles on the Billboard Hot Rhythm and Blues Singles Chart, starting with the single released on March 28^th 1968 “Ain’t Nothing Like the Real Thing,” which achieved the number one position week-ending 8^th June 1968 (1 week) and also peaked at number eight on the Billboard Hot 100 Singles Chart. The next number one song followed in late summer with “You’re All I Need to Get By”, at the top week-ending 31^st August 1968 (5 weeks). These two songs performed extremely well in the UK and in other European music markets, selling hundreds of thousands of copies across Europe. Marvin Gaye and Tammi Terrell became the most successful duo in the history of the label during this period.

Ashford and Simpson.
The song writing and
 music production team behind
Marvin Gaye and Tammi Terrell success.

The performances of Gaye and Terrell were of top quality, delivered with class and sophistication. Their voices flowed smoothly like milk and honey, graced with beauty and poetic yet filled with sexual passion from start to finish, unmatched by anyone at the time. They became a trade-mark brand for Motown and were certainly perfect for each other in terms of the blend of voices and harmonisation, making the most of the beautiful melodies developed by Ashford and Simpson. 

The original roots and feelings of the majority of these songs written by Ashford and Simpson were developed by Valerie Simpson playing the piano, as they worked chord structures for each song. Each track was underpinned by soulful, gospel-tinged musical themes, which were strongly influenced by the composers’ experiences back in the city of New York, where they performed in the Baptist church choir. This experience impacted their musical intelligence and approach to composing and producing songs and helped them create brilliant songs, with the skilful support of The Funk Brothers under the leadership of Earl Van Dyke. 

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The Year Was 1963: Significant Events in Motown’s History

The number one single "Two Lovers"
taken from album. 

1963 became a phenomenal year for Motown, with three recording acts topping the Billboard Hot R&B Side Singles Chart. The first artist to have achieved such a fate was the late Mary Well with her first number of career produced and written by Smokey Robinson. The single “Two Lovers” peaked at number one week-ending 19^th January 1963 (4 weeks).

The single "Fingertips"
from the number
one album.

This was followed by the then newly signed Little Stevie Wonder with the single entitled “Fingertips (Part 2)” which topped  the singles charts on two Billboard listing: Billboard Hot R&B Side Singles Chart week-ending 3^rd August 1963 (6 weeks); Billboard Hot 100 Singles Chart week-ending 10^th August 1963 (3 weeks). Also the single achieved similar success on the Cash Box Pop Singles Chart survey week-ending 3^rd August 1963 (4 weeks). It was the first live single in Billboard history to go to number one. The parent album “The 12 Year Old Genius” became the first live album according to Billboard to peak at number one on the Billboard 200 Albums Chart week-ending 24^th August 1963 (1 week). The entire album was produced by the legendary Berry Gordy, Jr.

Martha Reeves & the Vandellas were first
 female  group to have a major hit
 with Holland-Dozier-Holland
with "Heat Wave"

The following month on the 14^th September 1963, The Martha Reeves &; the Vandellas stayed at number one on the Billboard Hot R&B Side Singles Chart for 4 weeks with their single “Heat Wave” produced by Motown main song writing and music produced team Holland-Dozier-Holland premier hit making team at the label.

The label dominated the number one position that year for total of 14 weeks on the Billboard Hot R&B Side Singles Chart.  All these brilliant tracks and albums released and recorded were underscored by The Funk Brothers with vocal support from The Andantes other members of Motown family.



                                      
                                               
                                          ©Signaturesoundsonline2013-2016

Key Significant Benchmarks in the African American Black Music industry. (Part 1)

The Temptations: 

                                                       

The original Temptations line up

The Temptations, one of the most popular vocal groups of all time, receive over 30 RIAA certifications. The Temptations collect their first Multi-Platinum™ album for their 1996 release, “The Temptations Greatest Hits.”

Two other albums by the group - “All The Million-Sellers” and “The Temptations Give Love At Christmas” - are certified Platinum®. The group collects four more platinum singles - “I Can’t Get Next To You,” “Ball Of Confusion,” “Just My Imagination” and “Papa Was A Rollin’ Stone.”

Their single “My Girl” previously certified platinum in 1997. The Temptations are now second only to the Beatles as the group with the most RIAA certified Gold® singles. The Beatles have 24 while the Temptations have 16 total Gold® singles.

The Temptations are the most successful black male vocal group in music history ,with over forty gold and platinum certification in America according RIAA.

 The Preacher’s Wife Soundtrack:

The Soul Train Award winning soundtrack

This was the first gold and platinum certification by a black female artist recording who participated on a gospel soundtrack “The Preacher’s Wife” featuring Whitney Houston. “The Preacher’s Wife” soundtrack was certified double platinum by that time it released across Europe. “The Preacher’s Wife” is the only gospel soundtrack to be certified platinum in Europe for one million copies sold according to The International Federation of the Phonographic Industry (IFPI) with international offices based in London England.

“The Preacher’s Wife” soundtrack worldwide sales are estimated at 8 million copies. The soundtrack is the best-selling gospel soundtrack of all time so far. The soundtrack was recipient to several entertainment industry awards including  GMA(Gospel Music Association) Dove Awards for "Outstanding Mainstream Contribution to Gospel Music" and The Soul Train Award special award ;The 1998 Quincy Jones Award for "Outstanding Career Achievements in the field of entertainment".

                                   Researched and compiled by               
                                   Mr K Tomlin Music Historian                   
                                  ©RCM Music/Signaturesoundsonline2013-2014