"The
R&B and Soul Music Drummer with a Signature Touch"
The Chicago
Years:
The legendary Quinton Joseph was born on 28th
August 1946 in the city of Chicago that is also affectionately known as the “Windy
City”. He is one of the few studio musicians during the golden era of R&B
and Soul music to have played on hit records from two cities that produced
distinct signature sounds between the 1960s and the 1980s.
The first million selling record that Joseph played on . Performed Barbara Acklin. She was also staff song writer at Brunswick Records |
In his local neighbourhood he got involved with future
in-demand session musicians who also made a name for themselves in the music
industry in Chicago. These men became very close friends of Joseph; guitarist
Danny Reed and bassist Bernard Reed. As a close unit they began playing for
singer/songwriter Billy Butler, who was the brother of the legendary Jerry
Butler (known as the “Ice Man”).
This was second million selling single that Joseph actually played drums, released by Brunswick Records in 1969. The song was performed by the late Tyrone Davis |
This was the second gold certified single of the
Bruce SwedienDavis' career. The entire album featured Joseph on drums and the late Michael Jackson's sound engineer |
( 2 weeks ), preceded by
“I Heard It the Grapevine” performed by the late Marvin Gaye. He repeated the
same success with Davis on his second chart-topping single “Turn Back The Hands of Time”, Billboard Hot Soul Singles Chart number-one on the 2nd May
1970
( 2 weeks ) which peaked at number-three on the Billboard Hot 100 Singles
Chart and became a million selling single in the process. He also played on the
Billboard Hot Soul Singles Chart number-one single “Turning Point”, 7th
February 1976 (1week).
Researched and compiled by
Mr K Tomlin Music Historian
©RCM Music/Signaturesoundsonline2013-2014
Mr K Tomlin Music Historian
©RCM Music/Signaturesoundsonline2013-2014
1 comment:
What a superb musician! The entire rhythm section was off the charts. There were a handful of the greatest black and white and latino musicians in the studio cranking out hits for their Jewish overlords and got little in return. But we have the records and I personally work to preserve as many as I can on my own out of the deep love that was their spirit expressed through music.
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