Quinton Joseph (Part 1)

   "The R&B and Soul Music Drummer with a Signature Touch"

    The Chicago Years:

The legendary Quinton Joseph was born on 28^th August 1946 in the city of Chicago that is also affectionately known as the “Windy City”. He is one of the few studio musicians during the golden era of R&B and Soul music to have played on hit records from two cities that produced distinct signature sounds between the 1960s and the 1980s. 

The first million selling record that Joseph played on .
Performed Barbara Acklin.
She was also staff song writer at Brunswick Records

According to Ed Hogan of ALL Music, “Joseph absorbed a myriad of musical influences while growing up in his multi-cultural neighbourhood. As a child, he would beat out rhythms on cereal boxes and garbage cans. At about the age of ten his mother brought him a drum set to further develop his craft and techniques as a drummer while feasting on the “Windy City’s” rich musical diversity.” 

In his local neighbourhood he got involved with future in-demand session musicians who also made a name for themselves in the music industry in Chicago. These men became very close friends of Joseph; guitarist Danny Reed and bassist Bernard Reed. As a close unit they began playing for singer/songwriter Billy Butler, who was the brother of the legendary Jerry Butler (known as the “Ice Man”).

This was second million selling single that Joseph actually 
played drums, released by Brunswick Records in 1969.
The song was performed by the late Tyrone Davis
                                   

This led to the opportunity to work on the road with the The Artistics, from the Chicago branch of the once-mighty New York city Brunswick Records, best known for their Chicago soul classic hit of 1966 “I’m Gonna Miss You”  that sold almost a million copies in North America. With this success under their belt, they began to develop a reputation for being extremely tight which helped them become a much in-demand rhythm section, and their session work schedule increased tremendously as they started to support various local recording acts such as Jackie Wilson, The Chi-Lites, Major Lance, Gene Chandler and Tyrone Davis.

 

This was the second gold certified single of the
Davis' career. The entire album featured Joseph on
drums and the late Michael Jackson's sound engineer 

Bruce Swedien

The first million selling record that Joseph played on was Barbara Acklin’s gold single “Love Makes a Woman” released in 1968 on Brunswick Records. The following year , he played on Tyrone Davis’  first gold single of his career entitled “Can I Change My Mind” which charted and peaked at number-one on the Billboard Hot Soul Singles Chart on the 1^st February 1969

( 2 weeks ), preceded by “I Heard It the Grapevine” performed by the late Marvin Gaye. He repeated the same success with Davis on his second chart-topping single “Turn Back The Hands of Time”, Billboard Hot Soul Singles Chart number-one on the 2^nd May 1970

( 2 weeks ) which peaked at  number-three on the Billboard Hot 100 Singles Chart and became a million selling single in the process. He also played on the Billboard Hot Soul Singles Chart number-one single “Turning Point”, 7^th February 1976 (1week).

                                   Researched and compiled by               
                                   Mr K Tomlin Music Historian                   
                                  ©RCM Music/Signaturesoundsonline2013-2014 
 

                                  

Gamble & Huff Signature Sound (Part 2)

                                       

                           Its Impact On Popular Culture Across The World

Gamble & Huff

The creative marriage of Philadelphia International Records and the Philadelphia Multicultural Affairs Congress a division of  Philadelphia Convention & Visitors Bureau is using the Philadelphia Sound hit instrumental “TSOP” “The Sound Of Philadelphia,” performed by MFSB the label’s studio band (which received a Grammy Award for “Best Instrumental”) as advertising campaign initiative and as a centre piece to attract visitors to its many places of cultural significant and for its many night life entertainment facilities across the city of Philadelphia and surrounding areas.

A music entertainment district location to brand the city of  Philadelphia as a destination for R&B disciples around the world on a pilgrimage tour of surrounding areas and the place where the legendary sound was created such as Sigma Sound Studios and Gamble-Huff Music studios, one of the R&B capitals of the world envision by Kenny Gamble.

In an interview conducted by the Philadelphia Business

Executive Vice President Chuck Gamble.

Journal, Chuck Gamble the nephew of Kenny Gamble co-creator Philadelphia Sound and co-owner of Philadelphia International Records, stated that “Our role is provide the music in our catalogue so the city can attract more people to Philadelphia,” said Chuck. “We want people to use all five senses and feel the beautiful aroma of the city. VOur music allows us to appeal to the emotions of people and to help bring people together.” “After all,” he added, “the Gap is using the O’ Jays to promote its products (in a recent advertising campaign). “Why shouldn’t Philadelphia?” .

On several occasions, Multicultural Affairs Congress has been organizing private and guided tours of the Gamble-Huff recording studio to key convention planners and travel trade potential customers to attract business travellers and leisure travellers to the city. According to 1999 statistic, Philadelphia was the third most visited American behind Los Angeles and New York. The spokesman for the Multicultural Affairs Congress, Joel Avery said, “The Multicultural tourism market, on a global basis, is a $90 billion industry.”


                           Researched and compiled by               
                                         Mr K Tomlin Music Historian                   
                                        ©RCM Music/Signaturesoundsonline2013-2014