Marvin Gaye’s Landmark Studio Album Pt.1

A defining moment for Marvin Gaye and the Motown origination.

Marvin Gaye's landmark album

This was first time in the history of Motown that The Funk Brothers and the other musicians who were members of the Detroit Symphony Orchestra were given full credit on the album notes, including the sound engineer. The album was a defining moment in Motown’s history, a landmark album, a Jazz-oriented recording project that allowed The Funk Brothers to shine as trained Jazz musicians, mixed with the best classically-trained musicians from the Detroit Symphony Orchestra under the leadership of Gordon Staples.

What's Going On was the first album on which Motown Records' main studio band, the group of session musicians known as the Funk Brothers, received an official credit.

The first Marvin Gaye album credited as being produced by the artist himself, “What's Going On” is a unified concept album consisting of nine songs, most of which lead into the next. It has also been categorized as a song cycle; the album ends on a reprise of the album's opening theme. The album is told from the point of view of a Vietnam War veteran returning to the country he had been fighting for, and seeing only hatred, suffering, and injustice. Gaye's introspective lyrics discuss themes of drug abuse, poverty, and the Vietnam War. He has also been credited with criticizing global warming before the public outcry against it had become prominent. It (the studio album) has become masterpiece of tremendous impact and influence across generations and it content is still relevant today with the social and political situations occurring in America and around the world. The recording project pushed Marvin Gaye to icon status internationally and made him a house whole name in the same breath as the late Otis Redding and Jimmy Hendricks.

According to Van DePitte: “Marvin wanted somebody other than the normal drummers who worked at Motown. Chet was coming from a little different place. He was a white guy, and he had done a great deal of studying in the classical vein. He was also one of the best jazz drummers I ever worked with. When this guy locked into a groove, you couldn’t shift him.”

Golden World Studios in Detroit, Studio B, was used to record the strings and horns section, led by concert master Gordon Staples, whilst the rhythm section was recorded at Motown’s old Studio A on West Grand Boulevard. Marvin Gaye’s creative instincts were certainly validated by the middle of 1971 when “What’s Going On” was racing up the charts, becoming a best-seller for Motown.

Picture of Van De Pitte conducting a recording with the late Bob Babbitt playing guitar at the session.

 
   




                                                                                                                                                                                                                                                              

              

  

                                      

Norman Whitfield Musical Legacy Lives On Pt.3

Rose Royce first successful studio album
produced by Norman Whitfield

Whitfield's record company achieved 
several gold and platinum 
records with Rose Royce while they were signed to his label, in the process generating millions in gross earnings between the USA and the UK in which  he produced the "In Full Bloom" (1977) and "Strikes Again" (1978). The first album studio features the legendary Jack Ashford former member of The Funk Brothers and Paul Riser conducting strings arrangements.  Former Motown studio musicians Melvin "Wah Wah" Watson, Cornelius Grant with legendary Gene Page on

Rose Royce second most successful studio
album also produced Norman Whitfield

 strings arrangements (also famous  for working with the late Barry white). are featured on the second studio album. The single "Love Don't Live Anymore" from the second studio album managed to achieve gold certification in the UK for over half-a-million copies on the 1st October 1978 and peaked at number two on the UK Official Pop Singles Chart week-ending 16th September 1978 (1week) .The album "In Full Bloom"also  peaked at number one on the Billboard Soul and R&B Albums Chart week-ending 1st October 1977 (3 non-consecutive weeks). Further success was achieved by the band's greatest hit album "Rose Royce Greatest Hits" which obtained platinum certification in the UK from BPI and topped the Official UK Pop Albums Chart week-ending 1st March 1980 (2 weeks). 

The band's UK certified platinum album

 A single sampled version of “Car Wash” was released in 2004 from the soundtrack album entitled “Shark Tale” The version was number 4 on the official UK Pop Chart in 2004 and achieved gold certification according to the BPI (British Phonograph Industry) for 100,000 copies sold in the UK. The soundtrack was also certified gold in Australia with 35,000 copies and New Zealand with 7,500 copies. In 2011,  The X Finalists re-recorded "Wish Upon A Star." The song debuted at number one week-ending 10th December 2011 (1 week) on the Official UK Pop Singles Chart and also Scottish Singles Chart the same week. The single sold in excess of 98,000 plus copies in its first week. The single also received a silver disc for units sold in excess of quarter- a-million copies in the UK, which was awarded on 1st February 1978 by  BPI. 

The royalties he has earned over the last ten years averaged approximately half a million dollars per year. This gives you an idea of the income potential and how the music industry benefited from Norman’s creative ability by generating vast earnings across the globe through advertisements, films soundtracks and new recordings.  This legendary and formidable brand shows every sign of impacting generations to come. The late Norman Whitfield is one of the top ten best record producers of the old school. Long live the Norman Whitfield sound.

                              
                                 ©Signaturesoundsonline2013-2016
                                          

Norman Whitfield Musical Legacy Lives On Pt.2

Whilst at Motown, in addition to his success with the Temptations, Norman produced gold singles and albums for Rare Earth, a white rock band. “I Heard It Through the Grapevine”, in the version performed by the late Marvin Gaye, was also inducted into the Grammy Hall of Fame for "historical, artistic and significant" value. In 1986, two years after Gaye's death, the song was re-released in the UK and peaked at number eight on the UK official Pop Singles Chart, thanks to a Levi's commercial. The song also charted successfully in Germany, peaking at number five on the chart. The song also achieved chart success twice on the Irish Singles Chart, reaching number seven on its initial release in 1969 and peaking at number four on its 1986 re-release.

Marvin Gaye's version of “I Heard It Through The Grapevine” has since become a landmark in Pop music. In 2004, it ranked at number 80 on Rolling Stone's list of The 500 Greatest Songs of All Time.

On the commemorative 50th Anniversary of the Billboard Hot 100 issue of Billboard magazine in June 2008, Marvin Gaye's version was ranked as the 65th biggest song on the chart. It was also inducted to the Grammy Hall of Fame for "historical, artistic and significant" value.

Before Norman left the Motown organisation, he received several Grammy Awards. "Cloud Nine" won Motown Records its first Grammy Award in1969. He received a second Grammy award for “Papa Was A Rollin’ Stone" for Best R&B Performance by a Duo or Group and he finally received Grammy awards for the instrumental B-side to “Papa Was A Rollin’ Stone" with the legendary Motown strings arranger Paul Riser for Best R&B Instrumental Performance and a joint award with co- writer Barrett Strong for Best R&B Song “Psychedelic Soul” the same year at the Grammy Ceremony.

 The legendary Motown strings arranger Paul Riser received a Grammy with Norman for Best R&B Instrumental Performance and joint award with co-writer Barrett Strong for Best R&B Song “Psychedelic Soul” the same year at the Grammy Ceremony.


"Car Wash" soundtrack

After his departure from Motown Records he went on to have tremendous success with a film sound track called “Car Wash” which was his first major project after leaving Motown Records. The album and single were certified gold and platinum by the RIAA (Record Industry Association of America). The single went on to achieve number one both on the Billboard Pop and R&B single chart listings, whilst the album went to number 14 on the Billboard Pop album chart listings. The soundtrack won a Grammy award in 1977 for Album of Best Original Score Written for a Motion Picture or Television Special at the 19^th Grammy Award Ceremony. The film cost less than $2 million to make and generated over $20 million at the box office. By the end of the 1970s, it is interesting to note that black soundtracks and films generated over $100 million in estimated
revenue, marketed mainly to black audiences.  

                                          ©Signaturesoundsonline2013-2016

The Year Was 1963: Significant Events in Motown’s History

The number one single "Two Lovers"
taken from album. 

1963 became a phenomenal year for Motown, with three recording acts topping the Billboard Hot R&B Side Singles Chart. The first artist to have achieved such a fate was the late Mary Well with her first number of career produced and written by Smokey Robinson. The single “Two Lovers” peaked at number one week-ending 19^th January 1963 (4 weeks).

The single "Fingertips"
from the number
one album.

This was followed by the then newly signed Little Stevie Wonder with the single entitled “Fingertips (Part 2)” which topped  the singles charts on two Billboard listing: Billboard Hot R&B Side Singles Chart week-ending 3^rd August 1963 (6 weeks); Billboard Hot 100 Singles Chart week-ending 10^th August 1963 (3 weeks). Also the single achieved similar success on the Cash Box Pop Singles Chart survey week-ending 3^rd August 1963 (4 weeks). It was the first live single in Billboard history to go to number one. The parent album “The 12 Year Old Genius” became the first live album according to Billboard to peak at number one on the Billboard 200 Albums Chart week-ending 24^th August 1963 (1 week). The entire album was produced by the legendary Berry Gordy, Jr.

Martha Reeves & the Vandellas were first
 female  group to have a major hit
 with Holland-Dozier-Holland
with "Heat Wave"

The following month on the 14^th September 1963, The Martha Reeves &; the Vandellas stayed at number one on the Billboard Hot R&B Side Singles Chart for 4 weeks with their single “Heat Wave” produced by Motown main song writing and music produced team Holland-Dozier-Holland premier hit making team at the label.

The label dominated the number one position that year for total of 14 weeks on the Billboard Hot R&B Side Singles Chart.  All these brilliant tracks and albums released and recorded were underscored by The Funk Brothers with vocal support from The Andantes other members of Motown family.



                                      
                                               
                                          ©Signaturesoundsonline2013-2016

Significant Achievements in the Detroit Sound Pt.5

The original Temptations

Both Norman Whitfield and Smokey Robinson helped The Temptations became one of most popular vocal groups of the 20^th Century. The group has received over thirty RIAA certifications, including a multi-platinum certification for their 1996 release “The Temptations Greatest Hits.” 

Two more albums during the mid-1990s received platinum certification for the group, “All The Million-Sellers” and “The Temptations Give Love At Christmas.” They also collected platinum certifications for their singles “I Can’t Get Next To You”, recorded during the late 1960s and produced by Norman Whitfield, and “My Girl”, also recorded during the early 1960s and written and produced by Smokey Robinson. Both singles sold over two million copies each. According to the RIAA, The Temptations are now the second most certified group behind the Beatles. The Beatles have twenty four gold singles while the Temptations have sixteen gold singles to their credit. All The Temptations records features dynamic studio performance of The Funk Brothers and the Detroit Symphony Orchestra strings section and vocal support of The Andantes.

                                             ©Signaturesoundsonline2013-2016

The Philadelphia Signature Soul Sound during the 1980s Pt 6

                                            Featuring female solo artist

"Sweet and Wonderful" classic album

Jean Carne followed in 1981 with her album “Sweet and Wonderful” on TSOP Records, a subsidiary imprint of Philadelphia International Records. The album featuring a stunning remake of the Spinners' ballad classic “Love Don’t Love Nobody”, which went to number thirty-five on the Billboard Hot Soul and R&B Singles Chart. The album also entered the top forty of the Billboard Hot Soul and R&B Albums Chart.

The album containing the
 Philly class "Yes I'm Ready"

Philly great Barbara Mason (known for her 1965 Philly classic gold record  “Yes I’m Ready”) released an album on WMOT Records in 1980 entitled “A Piece of My Life”. The album’s title track “Yes I’m Ready” benefits from an updated treatment, with an early 1980s sound. Butch Ingram was the main producer and arranger, while his brother James Ingram conducted arrangements.

The by Phyllis Hyman album
 containing the Philly classic "Old Friend"

The late Phyllis Hyman recorded a come-back album after she signed to Philadelphia International Records in 1985. “Living All Lone” was released in 1986. The title track, produced by Dexter Wansell, peaked at number twelve on the Billboard Hot Soul and R&B Singles Chart. It was followed by another excellent track entitled “Old Friend” which was written by the late Linda Creed and produced by Thom Bell. The song went to number fourteen on the Billboard Hot Soul and R&B Singles Chart. It was reported by Billboard Magazine in 1986 that album sold close to half a million copies in America. This was the best performance for Phyllis Hyman since her 1979-released album “You Know How to Love Me” on Arista Records which nearly achieved gold status. Interestingly the album was recorded at Sigma Sound Studios in New York City by the same production team, James Mtume and Reggie Lucas, who co-produced Stephanie Mills’ three gold albums and one gold single. Many of the produced in Philadelphia recording studios featured the brilliant string and horn arrangements conducted by the late Don Renaldo, a key figure in the development of  "The Sound of Philadelphia"
 signature sound that was popular during the 1970s. He was a key member of the MFSB studio band responsible for many of hits that came out of Philadelphia during it golden era.

                               

                              
                         ©Signaturesoundsonline2013-2015 



                                                  

                                                

The Philadelphia Signature Soul Sound during the 1980s Pt 5

                                                Featuring female solo artist

The gold album "My Melody

In the early 1980s Deniece Williams co-produced a brilliant and soulful solo album with the legendary Thom Bell (one of the key music architects of the Sound of Philadelphia ) entitled “My Melody”. The album finally received gold certification from the RIAA on 13^th October 2000, having been released on CBS Records in 1980. The album was a Top Twenty success and charted to number thirteen on the Billboard Hot Soul and R&B Albums Chart.

"Lonely Disco Dancer" performed by
 Dee Dee Bridgewater

During the same period Thom Bell was also producing the great Jazz diva Dee Dee Bridgewater with her self-titled solo album “Dee Dee Bridgewater” on Elektra Records (1980). The most  memorable track from the album is “Lonely Disco Dancer”, a dynamic mid-tempo dance recording with lush string arrangements conducted by the late Don Renaldo. It was a very popular track at both parties and discos in the UK during the early 1980s. The album was similar in style to Deniece William’s album “My Melody” .

"Easy Money" performed
Dee Dee Sharp Gamble

Another female artist who had success on the Billboard Hot Dance Club Play Number One Singles Chart was Dee Dee Sharp Gamble, with her last Philadelphia International Records album “Dee Dee” (1980) released both domestically in North America and internationally via CBS Records. The number one dance single was “Break and Entering/Easy Money” week-ending 28^th March 1981 (4 weeks). 

Both Dee Dee Bridgewater and Deniece Williams used the same studio musicians who worked with Thom Bell on many Philly classic hit recordings during the 1970s. 

                                   Researched and compiled by               
                                   Mr K Tomlin Music Historian                   
                                   ©RCM Music/Signaturesoundsonline2013-2015